tag:blogger.com,1999:blog-40044671387034367122024-02-20T07:26:04.158-08:00michael trommersound artmichaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.comBlogger84125tag:blogger.com,1999:blog-4004467138703436712.post-49091350614669963532024-01-06T10:28:00.000-08:002024-01-06T10:28:13.889-08:00'Spectral Sound Systems' out now on the No-Type Label<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVZQ28IcdT3nqCGPs7ShaBQd2BIemy9Jc_IPsMSH6_bFiQCE4GbGEpfDERg49kbGu5uYJr9L_rrvklyDb9y7t_V5fsXXAGeV0I9dvIbZg9bNShcOqHZHsbW5iEnein0KQfzhSh3l8f5-VxGJuhleeaqUu38IKHU2aLrlP4NiLLgZW1D7avlPOmeC6Q20aN/s480/MTrommer-spectral.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="480" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVZQ28IcdT3nqCGPs7ShaBQd2BIemy9Jc_IPsMSH6_bFiQCE4GbGEpfDERg49kbGu5uYJr9L_rrvklyDb9y7t_V5fsXXAGeV0I9dvIbZg9bNShcOqHZHsbW5iEnein0KQfzhSh3l8f5-VxGJuhleeaqUu38IKHU2aLrlP4NiLLgZW1D7avlPOmeC6Q20aN/w440-h440/MTrommer-spectral.jpeg" width="440" /></a></div><br /><p></p><p style="text-align: center;"><a href="https://notype.com/en/drones/a/379/spectral-sound-system-michael-trommer"><span style="font-family: helvetica;">https://notype.com/en/drones/a/379/spectral-sound-system-michael-trommer</span></a></p>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-40059725132197654112023-08-16T16:51:00.000-07:002023-08-16T16:51:56.326-07:00'60 Seconds Each' release<p>Very happy to be a part of this project. For those of you in Berlin, the release party will be at the wonderful <i>Errant Sound</i> gallery on October 15, 2023.</p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmYr54SwxaYIlDNTnEpfGVld3R-xXe0GYKZmKAecrz-kxHg8s7NhB_W8kXCDc8yMw2HDRlO7bigwZdgyg9mFFsDaHtoe7d22rx-mDkm9f5rLevjuVBN9_tvmBzqX4PGMfw6Q5EoNkDJLB4pxFaZo8KmL7vFXJu_H2tUzzVmMlV9Rf7BDkx4zupjPbG4CMi/s3723/image001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2252" data-original-width="3723" height="389" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmYr54SwxaYIlDNTnEpfGVld3R-xXe0GYKZmKAecrz-kxHg8s7NhB_W8kXCDc8yMw2HDRlO7bigwZdgyg9mFFsDaHtoe7d22rx-mDkm9f5rLevjuVBN9_tvmBzqX4PGMfw6Q5EoNkDJLB4pxFaZo8KmL7vFXJu_H2tUzzVmMlV9Rf7BDkx4zupjPbG4CMi/w640-h389/image001.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj25g1KT3emBtIfW29676MfTwwtUzzZnsczD91ZBVIe2TA3zzu3H4iSImcGOPLe3HwHBSlCN85xIXlUYrMz9VnspviubWz3oNdjSLH7Ylt6KsXDbG1AVCcPzZgrxzxeY_y68QVv6S47LCgKjlaK4vja4UeZErFwCYANqwpeTCXvQvR-eEt0Vd3o158wb08A/s681/image005.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="677" data-original-width="681" height="637" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj25g1KT3emBtIfW29676MfTwwtUzzZnsczD91ZBVIe2TA3zzu3H4iSImcGOPLe3HwHBSlCN85xIXlUYrMz9VnspviubWz3oNdjSLH7Ylt6KsXDbG1AVCcPzZgrxzxeY_y68QVv6S47LCgKjlaK4vja4UeZErFwCYANqwpeTCXvQvR-eEt0Vd3o158wb08A/w640-h637/image005.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-riHXogJw_2j8UeYsYsmXd82WijN44ihE7B-ZoBGxiVcn18OYojQNCfu-UzkQuelN5Ol0SwuBSEQIWTWuN8wyZnYXa7YOHbfLs5ClS34CuqADxhcsCucZgvMT6yg72qL0H5-CxYVhF38xc-mU6xjx4KEOIlZVB6tyQ83VMCSUmPG-NUwxVLU92VPY0Gzh/s2480/image006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2457" data-original-width="2480" height="634" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-riHXogJw_2j8UeYsYsmXd82WijN44ihE7B-ZoBGxiVcn18OYojQNCfu-UzkQuelN5Ol0SwuBSEQIWTWuN8wyZnYXa7YOHbfLs5ClS34CuqADxhcsCucZgvMT6yg72qL0H5-CxYVhF38xc-mU6xjx4KEOIlZVB6tyQ83VMCSUmPG-NUwxVLU92VPY0Gzh/w640-h634/image006.jpg" width="640" /></a></div><br /> <p></p>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-38413472982197914682023-08-07T09:02:00.003-07:002023-08-07T09:03:01.942-07:00It's been a while...<p>This blog has been lying dormant for some time as I keep intending to get a proper website up and running. I'll soon be posting a backlog of events/things that have happened over the last few years (!), if anything else, to keep a running record of what's been going on...</p>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-57017951853575620202020-10-02T07:38:00.004-07:002020-10-02T07:38:41.791-07:00'Johatsu' ambisonic VR project<p> A cinematic VR piece being developed in collaboration with Éric Filion...work in progress. </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLgQI8eVn-zZOL-iiM3Agq3HURufoxd7nFqVz2s6OLnKrWUYWTHPedruJjqFyiHD16PW6VDZVsdpRAwsjVt7gmL5gJYwa5DVJ02vPU0FVR18UIDv-yJ-bQs2_-inF5A6HHsjII-qWrEnq2/s1920/JUHATSU_2D_FINAL.00_00_51_01.Still002.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLgQI8eVn-zZOL-iiM3Agq3HURufoxd7nFqVz2s6OLnKrWUYWTHPedruJjqFyiHD16PW6VDZVsdpRAwsjVt7gmL5gJYwa5DVJ02vPU0FVR18UIDv-yJ-bQs2_-inF5A6HHsjII-qWrEnq2/w640-h360/JUHATSU_2D_FINAL.00_00_51_01.Still002.png" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIZRsleCbt-xt30LfRtDNkTiUw-SKEZEp7e1nALNjb8Zz-XpRAmIXpb89fZQn6XJ4Y5Wb7N2733KhgjT1k05-gbG-xgBOfjASgN_3GfqIj-oXTeys1mkKqnv76hjGDjCcfIyZTesH-I-Ah/s1920/JUHATSU_2D_FINAL.00_05_49_05.Still001.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIZRsleCbt-xt30LfRtDNkTiUw-SKEZEp7e1nALNjb8Zz-XpRAmIXpb89fZQn6XJ4Y5Wb7N2733KhgjT1k05-gbG-xgBOfjASgN_3GfqIj-oXTeys1mkKqnv76hjGDjCcfIyZTesH-I-Ah/w640-h360/JUHATSU_2D_FINAL.00_05_49_05.Still001.png" width="640" /></a></div><p><a href="https://vimeo.com/463923352">https://vimeo.com/463923352</a><br /></p>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-83508644787965874432020-08-29T09:47:00.003-07:002020-08-29T09:47:50.323-07:00'Shanawdithit VR' at ISEA 2020<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTK7IR2vtI60PqErRXR8t7tJbMjZPSLGFpHIPFI3cpDU27ZZDYfokFEw1imv9Lhxp5BrO5p3_OyhG11r6zghMLTlBZIygma5DGFKwaVaYaO0uNYbHK8KbpG-iLY3S_Uir6vLCttPhm8guL/s2557/Screen+Shot+2020-08-29+at+12.43.58+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1230" data-original-width="2557" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTK7IR2vtI60PqErRXR8t7tJbMjZPSLGFpHIPFI3cpDU27ZZDYfokFEw1imv9Lhxp5BrO5p3_OyhG11r6zghMLTlBZIygma5DGFKwaVaYaO0uNYbHK8KbpG-iLY3S_Uir6vLCttPhm8guL/s640/Screen+Shot+2020-08-29+at+12.43.58+PM.png" width="640" /></a></div><br /> <p></p><p><span style="color: white; font-family: helvetica;">Shanawdithit VR will be featured at this year's edition of ISEA.</span></p><p><span style="font-family: helvetica;"><br /></span></p><p><span style="color: white; font-family: helvetica;">Directed by Sarah Choi</span></p><p><span style="color: white; font-family: helvetica;">Cinematography by Nikolai Michaylov</span></p><p><span style="color: white; font-family: helvetica;">Edited by Racelar Ho</span></p><p><span style="color: white; font-family: helvetica;">Sound Design by Michael Trommer</span></p><p><br /></p>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-90255919411368600222020-08-29T09:38:00.001-07:002020-08-29T09:38:25.156-07:00Points Further North<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYUxUIMPAVuVcjjLh5ZNtC1B-uz0GFANarXw6DLP1Q30t9m5dN0JQVXKlxNwfTdW_TuV3G3TL5u-MIWrLvB1n0IiLlslNyOo48y2ZBtz0HqS1P27fbsxuNODOmkH5nIG3tY3k__QjwN8XQ/s2508/Points+Further+North+10.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="2508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYUxUIMPAVuVcjjLh5ZNtC1B-uz0GFANarXw6DLP1Q30t9m5dN0JQVXKlxNwfTdW_TuV3G3TL5u-MIWrLvB1n0IiLlslNyOo48y2ZBtz0HqS1P27fbsxuNODOmkH5nIG3tY3k__QjwN8XQ/s640/Points+Further+North+10.png" width="640" /></a></div><br /><span style="color: white;"> <i style="font-family: "Times New Roman", serif; font-size: 12pt;"><span lang="EN-US" style="font-family: "Helvetica Neue";">Points Further North </span></i><span lang="EN-US" style="font-family: "Helvetica Neue"; font-size: 12pt;">is an experimental VR documentary that was undertaken with a view to foregrounding how sound can be deployed as the primary mechanism for laying out the complex, often subjugated relationships manifested between physical spaces and those who inhabit them. Specifically, It examines how head-tracked ambisonic sound and haptic audio’s profoundly affective emotional, tactile and topologically enveloping capacities can be articulated within an acoustemological framework (acoustemology is best defined by ethnographer Steven Feld as “sonic ways of being in and knowing the world”) in order to evoke a heightened sense of awareness, perhaps even an agency, with respect to the largely abstracted ramifications arising from the consumerist lifestyles that are endemic to the developed world. The project exploits the possibilities inherent in the </span><span lang="EN-US" style="font-family: "Helvetica Neue"; font-size: 12pt;">amplification of the vibratory and electromagnetic spectra that permeate our urban environments: </span><span lang="EN-US" style="font-family: "Helvetica Neue"; font-size: 12pt;">infrasonic/tactile elements are disseminated via the Subpac wearable haptic interface in order to constitute a corporeal and emotional presence, and the radiant (yet invisible) transmissions of our information, economic and surveillance networks are captured and sonified via the via use of electromagnetic transducers. Both sonically and thematically, <i>Points Further North</i> seeks to uncover that which sound studies scholar Salomé Voegelin, terms “our locality on the invisible index of sound”, capitalizing upon sound’s capacity to delineate the ethereal topographies</span><span lang="EN-US" style="font-family: "Helvetica Neue"; font-size: 12pt;"> engendered via the vast, sublime – yet sublimated – infrastructures that we find ourselves immersed within</span><span lang="EN-US" style="font-family: "Helvetica Neue"; font-size: 12pt;">.</span></span><p></p><p class="MsoNormal" style="font-family: "Times New Roman", serif; font-size: 12pt; margin: 0cm;"><span lang="EN-US" style="color: #101010; font-family: "Helvetica Neue";"><o:p></o:p></span></p>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-85258159911983080902020-08-29T09:32:00.002-07:002020-08-29T09:32:23.474-07:00Ancient Thoughts and Electric Buildings at ISEA 2020<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs2DGEQ0jERuUhZqt1GKMR7uvvLIiOXiKzb-mxp5x1RI4Yungfqh59vfEJhcqhphiHBjzO76pFkR-bO7iBfsKcHT31HqOfbXie2bbSrXVmf6x98-PQaid07bCHfKmNsKQj_GJ4Pyv_-u4K/s2508/ancient+thoughts+in+electric+buildings+AmbiX.00_05_08_12.Still009.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="2508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs2DGEQ0jERuUhZqt1GKMR7uvvLIiOXiKzb-mxp5x1RI4Yungfqh59vfEJhcqhphiHBjzO76pFkR-bO7iBfsKcHT31HqOfbXie2bbSrXVmf6x98-PQaid07bCHfKmNsKQj_GJ4Pyv_-u4K/s640/ancient+thoughts+in+electric+buildings+AmbiX.00_05_08_12.Still009.png" width="640" /></a></div><span style="font-family: helvetica;"><br />'Ancient Thoughts and Electric Buildings' will be shown as part of York University Sensorium's 'Why Sentience' exhibition as this year's edition of ISEA:</span><p></p><p><br /></p><p>
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<p><span style="font-family: 'Helvetica'; font-size: 12.000000pt; font-style: oblique;">Ancient Thoughts and Electric Buildings </span><span style="font-family: 'Helvetica'; font-size: 12.000000pt;">is an experimental, audio-led, virtual reality
(VR) documentary that examines the portion of Toronto’s downtown core that extends
along the city’s Gardner Expressway. This site traverses Canada’s financial nexus and
has been the recent locus of extensive condo and commercial development;
simultaneously, it exists as a region that is (and has historically been) occupied by a
significant number of homeless people.
</span></p>
<p><span style="font-family: 'Helvetica'; font-size: 12.000000pt;">This project seeks to foreground sound as a key sensory modality distinguishing the
conditions of the locale’s urban dispossessed from that of the privileged. To this end,
spatial and haptic audio dissemination is deployed to emphasize the relentless
cacophony within which the homeless remain perpetually exposed, a stark contrast to
the acoustically sealed, climate-controlled, humming structures of the financial towers
that their habitat is immersed in.
</span></p>
<p><span style="font-family: 'Helvetica'; font-size: 12.000000pt;">Visually, the documentary investigates the homeless population's reinterpretation of
their imposed topography – beneath the cathedrals of commerce, highways become
roofs and scrap material is reconfigured as walls and furniture in a surreal contemporary
echo of feudal dynamics. Further emphasizing the socio-economic disconnect,
fragments of local condominium marketing copy have been composited into the 360
space in order to highlight the disconcerting paradoxes inherent in the clash of these
spatially overlapping, yet antithetical territories.
</span></p>
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</div><br /><p></p>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-21599372222656008712018-10-27T17:18:00.001-07:002018-10-27T17:18:48.143-07:00Lake Sharks – a piece for Earlid<div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe width="100%" height="300" style="background-color:transparent; display:block; padding: 0; max-width:700px;" frameborder="0" allowtransparency="allowtransparency" scrolling="no" src="//embeds.audioboom.com/posts/5753382-lake-sharks-michael-trommer/embed/v4?eid=AQAAABoA1VsmylcA" title="Audioboom player"></iframe>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-44290981924059651902018-10-27T17:16:00.001-07:002018-10-27T17:16:35.769-07:00'Executive Shore' – Unawatuna, Sri Lanka - the village wakes up, recorded by Stéphane Marin, reimagined by Michael Trommer.<div dir="ltr" style="text-align: left;" trbidi="on">
<iframe allowtransparency="allowtransparency" frameborder="0" height="300" scrolling="no" src="//embeds.audioboom.com/posts/6850255-executive-shore/embed/v4?eid=AQAAAEf_1FvPhmgA" style="background-color: transparent; display: block; max-width: 700px; padding: 0;" title="Audioboom player" width="100%"></iframe></div>
michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-45709634586999377392018-10-27T17:13:00.001-07:002018-10-27T17:13:03.282-07:00Four Days in Marie Curtis Park – out on Welthassle:<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitvU8i8JCvIRnZ2DeZTgrtLJi8_gCPz7FmKRDolU8napBlTNs5v1wCyKSOUjxtCiGGD1SU72kch8oufF3c9RK9cd4pjdDuV8fG4EP81KdpmDbmA_rzVaYcZIuYFwmyRfyrvnk0hRxMclU0/s1600/cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitvU8i8JCvIRnZ2DeZTgrtLJi8_gCPz7FmKRDolU8napBlTNs5v1wCyKSOUjxtCiGGD1SU72kch8oufF3c9RK9cd4pjdDuV8fG4EP81KdpmDbmA_rzVaYcZIuYFwmyRfyrvnk0hRxMclU0/s640/cover.jpg" width="640" /></a></div>
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<a href="http://welthassle.net/raw-007/" target="_blank">http://welthassle.net/raw-007/</a></div>
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-59963848854834171902018-10-27T17:10:00.002-07:002018-10-27T17:10:38.626-07:00Port Lands D out now on Flaming Pines:<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMyW2TZp8V7E4NVbb9qPnPZD6hEb8o0g7VjwQthjrsfGZC4hi8HUMOGpoN7dy8gbPByZ9PWYONtKZgCbsHEGE89-T7-v7zp_bHyUnqxrNDne1448-TbPY7chRPL_Cy6hTruf47VtvkaNMA/s1600/Port+Lands+D+-+full+sleeve+%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMyW2TZp8V7E4NVbb9qPnPZD6hEb8o0g7VjwQthjrsfGZC4hi8HUMOGpoN7dy8gbPByZ9PWYONtKZgCbsHEGE89-T7-v7zp_bHyUnqxrNDne1448-TbPY7chRPL_Cy6hTruf47VtvkaNMA/s640/Port+Lands+D+-+full+sleeve+%25281%2529.jpg" width="640" /></a></div>
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<a href="https://flamingpines.bandcamp.com/track/portlands-d-2" target="_blank">https://flamingpines.bandcamp.com/track/portlands-d-2</a></div>
michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-14562708512039645322018-10-14T09:36:00.000-07:002018-10-14T09:36:35.178-07:00'Mirror Lakes' Installation proposal<div dir="ltr" style="text-align: left;" trbidi="on">
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A test rendering for the 'mirror lakes' installation: a full-wall projection with mirrored perpendicular walls creates the illusion of an endless horizon.<br />
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<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/272022793" webkitallowfullscreen="" width="640"></iframe><br />
<a href="https://vimeo.com/272022793">mirror lakes - installation test</a> from <a href="https://vimeo.com/user2854881">michael trommer</a> on <a href="https://vimeo.com/">Vimeo</a>.</div>
michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-91131233816136346792018-10-14T09:30:00.001-07:002018-10-14T09:30:16.908-07:00Bergmál Quadrophonic Installation at Gamma Festival in St. Petersburg, Russia<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisCJEK6_sF89NXBGUPuqoznR0jUs1PxO5ST2MvknU8qhLoJw3efGTzShNGu-FQ9UgEXNwwYm8uC10vYHiMzJf5uRJ_8O6VjYUX2fZu0k4vSTszHLgeitLcpq7hvWI_bv_djVIyaLwBu8S0/s1600/bergmal+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1036" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisCJEK6_sF89NXBGUPuqoznR0jUs1PxO5ST2MvknU8qhLoJw3efGTzShNGu-FQ9UgEXNwwYm8uC10vYHiMzJf5uRJ_8O6VjYUX2fZu0k4vSTszHLgeitLcpq7hvWI_bv_djVIyaLwBu8S0/s640/bergmal+poster.jpg" width="414" /></a></div>
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<a href="http://gammafestival.ru/english" target="_blank">http://gammafestival.ru/english</a><br />
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<a href="http://www.artification.ru/5/" target="_blank">http://www.artification.ru/5/</a></div>
michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-53676557457058233702016-09-29T15:28:00.005-07:002016-09-29T15:28:50.419-07:00'Night Swimmer' outdoor sound installation @ in/future<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivID-ChYxo9M4MM7OpV9_WfCNSaPwPbg59_HqI3_Hj09UG7DNwuaS9-h7yKNTWF52vaqRminslwkbseT91vGFfAQLeU_hO2TVUSxTDm7WwxzJpvwlv7uaHf2YNF-1tLfo_Zsa_tVtEKCRP/s1600/IMG_20160916_103622.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivID-ChYxo9M4MM7OpV9_WfCNSaPwPbg59_HqI3_Hj09UG7DNwuaS9-h7yKNTWF52vaqRminslwkbseT91vGFfAQLeU_hO2TVUSxTDm7WwxzJpvwlv7uaHf2YNF-1tLfo_Zsa_tVtEKCRP/s320/IMG_20160916_103622.jpg" width="320" /></a></div>
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-66964566153616101972016-07-31T09:41:00.003-07:002016-07-31T09:41:31.361-07:00Algorithms, Generative Art, Machine Agency: Vector Festival panel discussion @ Interaccess:<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizK7wW0CyUiFlYYJH6lEewfqDoPAMFj0oGfTNoBPm317J3RhfDOdNhd14iUqvJOQl7qPYcjHQXnwuBH0NHNbPtymzR9MJUEIsdcbjYvaiQuCEpnUa0wswiLJo_LC-sa8Bxu0S4AX86FQQQ/s1600/vector+festival+panel+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizK7wW0CyUiFlYYJH6lEewfqDoPAMFj0oGfTNoBPm317J3RhfDOdNhd14iUqvJOQl7qPYcjHQXnwuBH0NHNbPtymzR9MJUEIsdcbjYvaiQuCEpnUa0wswiLJo_LC-sa8Bxu0S4AX86FQQQ/s640/vector+festival+panel+1.jpg" width="640" height="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSK5yOnhFUmcS14af1JnddwsQ0e3s2QPHC9qigyMEuajuDmShWbleu-ugEJPoxhp7fg-OYF7AeyILsEqyPIIZuzTqNcN8sqmSnPtgx8s1ka7ZqE9NWvNPiozUi__kp7MzHld382O4jaDjv/s1600/vector+festival+panel+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSK5yOnhFUmcS14af1JnddwsQ0e3s2QPHC9qigyMEuajuDmShWbleu-ugEJPoxhp7fg-OYF7AeyILsEqyPIIZuzTqNcN8sqmSnPtgx8s1ka7ZqE9NWvNPiozUi__kp7MzHld382O4jaDjv/s640/vector+festival+panel+2.jpg" width="640" height="427" /></a></div><div dir="ltr" style="text-align: left;" trbidi="on">
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-91533876411683206602016-07-31T09:39:00.002-07:002016-07-31T09:39:40.702-07:00Spectral Sound System at Vector Festival<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKQk7SDAW7jF7HK_Bjj4gFsqEjAD1pMBt51hjStGYvcfiw1SIZSVDfueFoEwbf2k-dlzsPfPlImG34I90e75FtUOsNjl6UGXsh2FA4l4HRUTvR2ZN-syRct2NQvnAXPHEod17eyQ6S5a0l/s1600/vector+festival+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKQk7SDAW7jF7HK_Bjj4gFsqEjAD1pMBt51hjStGYvcfiw1SIZSVDfueFoEwbf2k-dlzsPfPlImG34I90e75FtUOsNjl6UGXsh2FA4l4HRUTvR2ZN-syRct2NQvnAXPHEod17eyQ6S5a0l/s640/vector+festival+1.jpg" width="640" height="427" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGvFKxsk9FksMzVLSOe2rNRmf9vthYjLrMshWizUaOAmCGyI7S2uhzSiOzzUiFMg_AwWGRy6t9nDFMVRi12eefH0O9Mn-m37JBdQ9gEISFIjPqJY0VB9X2YndtYLKzItQqWXATYZLL4tzL/s1600/vector+festival+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGvFKxsk9FksMzVLSOe2rNRmf9vthYjLrMshWizUaOAmCGyI7S2uhzSiOzzUiFMg_AwWGRy6t9nDFMVRi12eefH0O9Mn-m37JBdQ9gEISFIjPqJY0VB9X2YndtYLKzItQqWXATYZLL4tzL/s640/vector+festival+2.jpg" width="640" height="427" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF7OUpu6tlhNJY8BgPmaTbhRi7WGTPlZLDoSJaFddeUknl_1CMcCwTuwnus0di7GDROe7YNPdMlhyMKyZlCU4bVSogF3aFt6jyp8y_4wl1e8d_cS3L5nSWOc3kkIyGPlRIl9ob4iZCuvfl/s1600/vector+festival+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF7OUpu6tlhNJY8BgPmaTbhRi7WGTPlZLDoSJaFddeUknl_1CMcCwTuwnus0di7GDROe7YNPdMlhyMKyZlCU4bVSogF3aFt6jyp8y_4wl1e8d_cS3L5nSWOc3kkIyGPlRIl9ob4iZCuvfl/s640/vector+festival+3.jpg" width="640" height="427" /></a></div><div dir="ltr" style="text-align: left;" trbidi="on">
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com1tag:blogger.com,1999:blog-4004467138703436712.post-69462709830108689592016-03-07T16:04:00.001-08:002016-03-07T16:04:14.058-08:00<iframe width="100%" height="400" src="https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fsans_soleil%2Ffebruary-2016-networked-performance-for-audioblast-festival-nantes-france%2F" frameborder="0"></iframe><div dir="ltr" style="text-align: left;" trbidi="on">
<br /></div>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-42406203172641711802016-03-07T15:23:00.001-08:002016-03-07T15:26:15.990-08:00 Canada experimental underground 016 survey<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiJMQYNbUuiF-oZSrxEmI3UeGxcI_c3RufX3maziW8NdGy4UWLd4Ss82BhnXSXDWtUUC7tUl9uUq9UaE_1KPpfoBKtzNp1dPJAAMhD8FcEbvCcc6_hYmIACYpQe2Wco1mF8AvPIuN50bgx/s1600/canada+experimental+underground+survey+016.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiJMQYNbUuiF-oZSrxEmI3UeGxcI_c3RufX3maziW8NdGy4UWLd4Ss82BhnXSXDWtUUC7tUl9uUq9UaE_1KPpfoBKtzNp1dPJAAMhD8FcEbvCcc6_hYmIACYpQe2Wco1mF8AvPIuN50bgx/s640/canada+experimental+underground+survey+016.jpg" width="640" /></a></div>
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<span style="background-color: black; line-height: 28px;"><span style="color: white; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;">https://unexplainedsoundsgroup.bandcamp.com/album/canada-experimental-underground-016-survey</span></span></div>
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-28878353922026694422016-03-07T15:18:00.002-08:002016-03-07T15:18:59.446-08:00'Night Swimmer' installation on at Katzman Contemporary<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMloyP88VC9Mu0FDZzVTgHu-2Zz-OZWrMCMilVKQiKiTqa8fwSo4Qa-PpUIw0-l68z7bPJazWVTtp9xvpMsaMmWSFzX6OXpOXzxjs7o1_h7Xm0BehZtxCStASFu6HscBfopZT9GyLzWmNN/s1600/nightpaddler1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMloyP88VC9Mu0FDZzVTgHu-2Zz-OZWrMCMilVKQiKiTqa8fwSo4Qa-PpUIw0-l68z7bPJazWVTtp9xvpMsaMmWSFzX6OXpOXzxjs7o1_h7Xm0BehZtxCStASFu6HscBfopZT9GyLzWmNN/s640/nightpaddler1.png" width="640" /></a></div>
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<span style="background-color: black; color: white;">I'm presenting a sound installation at Katzman Contemporary in order to inaugurate their 'Kontort' project space:</span></div>
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<span style="background-color: black; color: white;"><a href="https://www.blogger.com/goog_1212513110"><br /></a></span></div>
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<span style="background-color: black;"><span style="color: #6fa8dc;"><a href="http://www.katzmancontemporary.com/">http://www.<wbr></wbr>katzmancontemporary.com/</a></span></span></div>
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<span style="background-color: black; color: white;">It's a beautiful space at 86 Miller Street, near Davenport and Old Weston Road, in what's rapidly becoming Toronto's new gallery district.</span></div>
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<span style="background-color: black; color: white;">The piece is an eight-channel audio installation called '<span class="il">Night</span> <span class="il">Paddler</span>', which will run from <b style="font-size: 12.8px;">Saturday, February 27 to Saturday, March 19</b><span style="font-size: 12.8px;">. The piece is an adaptation of a work on the '<span class="il">Night</span> Swimmer' release that came out on Belgian label Unfathomless this October. There's a recent review of the release here:</span></span></div>
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<span style="background-color: black; font-size: 12.8px;"><a href="http://goog_708035024/" target="_blank"><span style="color: white;"><br /></span></a></span></div>
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<span style="background-color: black; font-size: 12.8px;"><a href="http://brainwashed.com/index.php?option=com_content&view=article&id=10762%3Amichael-trommer-qnight-swimmerq&catid=13%3Aalbums-and-singles&Itemid=133" target="_blank"><span style="color: white;">http://brainwashed.com/index.<wbr></wbr>php?option=com_content&view=<wbr></wbr>article&id=10762%3Amichael-<wbr></wbr>trommer-qnight-swimmerq&catid=<wbr></wbr>13%3Aalbums-and-singles&<wbr></wbr>Itemid=133</span></a></span></div>
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-68305769613719490992015-11-23T07:41:00.002-08:002016-08-04T14:49:31.463-07:00Intel HPC VR/Interactive video wall project<div dir="ltr" style="text-align: left;" trbidi="on">
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<br /><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxkDLWGcr_B2wR_9NFn5DX5DsyZUxrEuwI_RmAQNgvbvsAGuD8BSD7AjW2caXTVh7DFfiOxRLWMgT5cRGX3Dw' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
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A short video showing a recent sound design project I worked on – an interactive/VR environment for Intel's new HPC audio supercomputer. Users prepared and manipulated audio clips, which were then inserted on a spiral timeline. Sounds were spatialized in 3D on both the video wall as well as via Oculus headsets.</div>
michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-41170642621020716582015-11-03T06:21:00.001-08:002015-11-03T06:21:21.865-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe width="100%" height="450" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223193731&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true"></iframe>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-68670353418123877822015-11-03T06:20:00.001-08:002015-11-03T06:20:41.215-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe width="100%" height="450" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/219502873&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true"></iframe>michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-11320117273720758662015-08-31T12:26:00.001-07:002015-08-31T12:26:59.317-07:00Interview with AmCor® Industries<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://www.amcorinc.net/new-blog/michaeltrommer"><span style="color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">http://www.amcorinc.net/new-blog/michaeltrommer</span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1UXx3IjQWRMqwfLQLJEaBFrR4d2mxn2irHu7YPOtLOBUcs9J-FRsJla-Jyl0grprcqRh9MmPdMwg0CuOoYeJizMxKpuhi08dyy3tdMM8qQCfgyYJ2ujSWRKDjZeph9pV3txC0moXBtRas/s1600/amcor.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1UXx3IjQWRMqwfLQLJEaBFrR4d2mxn2irHu7YPOtLOBUcs9J-FRsJla-Jyl0grprcqRh9MmPdMwg0CuOoYeJizMxKpuhi08dyy3tdMM8qQCfgyYJ2ujSWRKDjZeph9pV3txC0moXBtRas/s320/amcor.jpeg" width="320" /></a></div>
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-83971276720188888402015-08-31T12:20:00.002-07:002015-08-31T12:20:24.320-07:00'Night Swimmer': out soon on the Unfathomless label<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnb21hx-HMAjm_5T33g8mrPd-7Hh2qLCj5Se7kk19h0owJ8zKMAfgdCugzmTAKXL8Y-PEPTj7ZXdXjo3JQh2Oaph_neac02lhJAVbeH1KtsMnTR7XQozytH_qt7YQHpyIOo9ohVr-WgMO5/s1600/U29_michael+trommer_night+swimmer_front_FINAL.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnb21hx-HMAjm_5T33g8mrPd-7Hh2qLCj5Se7kk19h0owJ8zKMAfgdCugzmTAKXL8Y-PEPTj7ZXdXjo3JQh2Oaph_neac02lhJAVbeH1KtsMnTR7XQozytH_qt7YQHpyIOo9ohVr-WgMO5/s640/U29_michael+trommer_night+swimmer_front_FINAL.jpg" width="350" /></a></div>
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<span style="color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">‘Night Swimmer’ is created from field-recordings of nocturnal swims and paddles made during the summer of 2013 in Ontario’s Georgian Bay. As evening would fade into night, the athropophony and biophony tended to become muted; this resulted in a significantly increased signal to noise ratio, or what acoustic ecologist R Murray Schafer describes as a transformation into a ‘hi-fi environment’. This expanded sonic horizon – coupled with a reduced amount of visual information – encouraged a heightened focus on the act of listening: the manner in which landscape filters and reflects sound became significantly more perceptible and I often found myself in an acousmatic space in which most of what was heard could not actually be seen. In this intensified state of acoustic awareness, one can perhaps detect a more primal way of responding to our environment, an echo of a past that predates the primacy of the visual.</span></div>
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0tag:blogger.com,1999:blog-4004467138703436712.post-25064200550762840532015-08-31T12:17:00.002-07:002015-08-31T12:17:56.079-07:00'Berlin Anamnetic': out soon on the 3Leaves label<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRdG66cUppQgJQGmKzIf501RzhSi_n9eSQtetqqtGaYXvrgjhzphuiaBbMAFF-0a7PbsY5G2OqtzUuNQtRHRXe411ylcf9CNgHfVaYwxufiCK3vW_XaYjbCEhQ4wbJlSLVcPKXRun_T0_h/s1600/3L034+Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRdG66cUppQgJQGmKzIf501RzhSi_n9eSQtetqqtGaYXvrgjhzphuiaBbMAFF-0a7PbsY5G2OqtzUuNQtRHRXe411ylcf9CNgHfVaYwxufiCK3vW_XaYjbCEhQ4wbJlSLVcPKXRun_T0_h/s640/3L034+Front.jpg" width="640" /></span></a></div>
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<span lang="EN-US" style="font-size: 10pt;"><span style="color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">‘Berlin Anamnetic’ is the outcome
of a two-month residency at Berlin’s ZK/U (Centre for Art and Urbanistics). It
seeks to integrate the ‘real’ acoustic soundscape with the embodied, imagined
soundtrack evoked by a particular time and place.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-size: 10pt;"><span style="color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The working process for this
series involved long walks, generally from the outlying regions of Berlin to
the city centre; these were documented via audio recordings, photos, and notes.
Particular attention was placed on locations of emotional resonance, whether
the source of this resonance was historical, personal or serendipitous. The
associated sound files were then subjected to extensive spectral processing,
melding the mnemonic soundtrack (usually overheard pop songs or earworms) with
the real (diegetic) soundtrack. As such, sounds were structured in a quasi-painterly
fashion rather than arranged in a more conventional linear time-line (i.e. in a
DAW such as Ableton, etc.). Correspondingly, the pieces that comprise ‘Berlin
Anamnetic’ also seek to adopt a narrative form that is textural and emotive,
eschewing typical narrative structure for something that is more akin to the
body’s ‘real’ movement through a landscape.</span><span style="color: #1a1a1a; font-family: Helvetica;"><o:p></o:p></span></span></div>
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michaelhttp://www.blogger.com/profile/01154702725624168292noreply@blogger.com0